What’s in a name? Wait, which name?

I think in my day-to-day life I’m pretty terrible at names too. I tend to remember people by their face or some characteristic that I’ve focused on.

I am terrible at giving characters names. I ran around with a character name in my head for years, only to give him something completely different in the end (though, for some reason, the syllable scheme stayed the same). I find it’s something of an afterthought for me, even though I like to think I focus on character in my writing.

But seriously, why am I so bad at this?

I think in my day-to-day life I’m pretty terrible at names too. I tend to remember people by their face or some characteristic that I’ve focused on. But if you were to ask me, “Hey, do you remember Kevin?” I’d give you a blank look. However, if you asked “remember that guy with the blue Honda?” I’d say “Yeah! That guy. What was his name?” Kevin will always be filed away as blue-Honda guy and not Kevin WhatsHisName.

My writing is not shielded from this terrible fault.

While I’ve been working on WOUND: Thirst, I notice that I’m getting some names mixed up. While, the writing and editing are all my responsibility, picking the names in the first place was also my responsibility and I am failing on both parts. There’s no defense for this. Serial writing feels like its about being in the moment, focusing on one piece at a time. But it’s not an exquisite corpse. I can see all the other pieces and, well, I wrote them. So even if Marla is just a secondary character without her own POV, I should still remember that her name isn’t Marlene. Her mother’s name is Darlene, I think. Wait. Which one is the mother?

So my of my character creation comes out in the action and dialog when I write. I look forward to discovering what they will do and who they are. Sometimes I’m surprised by the choices they make. I also know (because I’ve tried this before) that doing extensive character sheets bleeds a lot of interest out of them for me.

I like to have a soft outline for plot (or at least know where I’m supposed to end up) but let the characters define themselves.

CAVEAT: Writers often talk about writing their characters as if they have autonomy, small sentient beings that think for themselves. They aren’t and they don’t. It’s just that during the writing, some of those decisions are not cognitively produced, or, the decision-train that produces certain actions/words is so fast and so quick, it feels like it comes from somewhere else. It doesn’t. The magic is inside you and me. I just forgot what it’s name is.

Had I more privacy, I would write a list of my character names on a post-it note and keep it prominent on my desk. However, a lot of my writing is done in the dark, for…reasons… and I want to keep it that way. So, I’ve moved an all-caps character list to the top of my Scrivener binder, in the hopes that I refer to it from time to time and don’t have to suddenly go back and correct an old chapter.

Sorry, Marla.

Marla and Darlene – what was I thinking? I’ll make it up to them in an upcoming episode.

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Read them for free on Tapas or Webnovel. Be sure to leave a like!

Series updates and another thing

Good morning Thursday. Due to my inability to plan correctly, both of my series– The Shape of Us and WOUND: Thirst –are updating today. Chapter 11 of The Shape of Us is one of my quiet favorites and has a lovely bit about ice cream. On the other side, WOUND: Thirst updates with episode 9 and has one of the best sentences I’ve ever written. I wonder if you can tell which one it is.

Also, in the coming days I’ll be finishing up my outline so I can start writing my novel-length thriller, Sanatoria. I want to chart the process of writing in this blog. It’s had stops and starts before, but I’m giving the outline an overhaul so it feels fresh though familiar.

I also think that working on these series has really helped me define the kind of writer I am and want to continue to be. The kind that just keeps on writing, day after day. I hope you like my stories.

Currently running series:
The Shape of Us at Tapas | Wattpad
WOUND: Thirst at Tapas | Webnovel

New Cover for The Shape of Us

Anyway, head over to Tapas to see the new cover (a new episode launches today as well).

There were two moments when I couldn’t contain my emotions while commissioning the cover art for The Shape of Us. The second was the delight I felt when I saw the image. I don’t have a lot of experience working with artists and my fiction, so I was nervous that I wouldn’t be able to describe my boys right. Thankfully Andrea (Kumiho_5), my artist, was able to get my meaning. I love, love the result.

The first was the laugh-out-loud sketch I provided for the premise. I’m still laughing at it. Do you want to see it? Perhaps I’ll save that as a bonus at some point. Maybe when the ebook of Season 1 comes out this summer (with two bonus stories from Baron and Sykes’ point of view.) Anyway, head over to Tapas to see the new cover (a new episode launches today as well).

I’ll leave a peek here…

I love them!

Why write serial fiction?

Image by Aline Ponce from Pixabay

I’ve been thinking about this question for a while and I wondered if it should be a blog post. I don’t know if I’ll be able to answer this question for you, but I can come close to an answer for myself, and, perhaps, in there you will find wisdom.

I’ve been struggling to finish projects for a while now and, although I am very close to finishing my first (slight) paranormal romance, I have a thriller that I’ve had outlined for a few years just sitting on the back burner. I like the story, too, and the characters and I want to turn it into a character-based series, but…finishing is hard.

Finishing is the number one piece of advice that successful writers tell new writers. (I don’t have the stats for that but it sounds right and if it’s not right, it should be right.)

The thing is, after all this time, I’m not a new writer. I’ve been writing for decades, but I rarely finish longer works (short stories, flash, and poetry are not an issue). I think my mind starts to wander on a project after about a month, so if I can’t get the writing done in 30 days, then off to greener pastures? I guess.

What about NaNoWriMo, you may ask?

Meh. I’ve never won it. I write under a pen name and don’t have writing friends physically close to me. And this last year has shown that I definitely have an end point to my online stamina. I think it’s a worthwhile thing and maybe I’ll give it a try this year, but, again, meh.

I’m revisiting the “Write a Novel in Three Days” post from Ghostwoods – a post so popular, they made it the 404 page. I do love the idea of working out a lot of the story before writing. Combine that post with Dead Wesley Smith’s resurrection of his pulp writers posts and perhaps the world was speaking to me: “Get all the meat out and then write like the Dickens.”

Which brings me back to my original question (see what I did there), why write serial fiction? Serial fiction allows me the satisfaction of finishing something small on a regular basis, while still fulfilling an overarching storyline. I think building in cliffhangers is energizing as a writer, particularly in my Wound series (at Tapas and Webnovel) as I’m posting it shortly after I write it. I know where I want all my characters to be at the end of the season, but I’m not entirely sure how they’re going to get there. And I am in love with writing it.

Serial writing allows me to play with timing and characterization as well. How much can I deliver to the reader about a person in just one line of dialog? What inner thoughts can I share about them without it feeling like filler? What peril can I put them in at the moment the scene ends? AHAHAHA.

These little thrills give me the motivation to work on the longer pieces. I was going to say they were like warm-ups, but I don’t want to diminish my serials in any way. I just as strongly about these stories as I do the novel-length stories that aren’t finished. The finishing with serials isn’t really the point, not initially. Some publishers suggest you have an endpoint in mind, or the entire piece mapped out – that seems more like novel serialization then serial fiction. That’s fine, but it’s different. Serial fiction is about the chase, the journey, jumping from cliff to cliff to cliff.

There’s an end, sure, but what a ride!

New episode of WOUND: Thirst live

Hi there. I just wanted to post that the new episode for my post-apocalyptic, vampire, horror series, WOUND: Thirst, is available on Tapas and Webnovel today! This is the first time we’re getting Paul’s point of view and, well, he’s seems to have gone through some changes.

WOUND: Thirst is the first series in my WOUND story. It follows a group of people thrown together after the “bomb drop” as they try to survive. Many people close to the drop zone were transformed into vampire-like zombies who hunt down humans for food or to transform them. Much about why they came to be and why the “bomb” dropped in the first place is still unknown.

Start reading WOUND: Thirst on Tapas

Start reading WOUND: Thirst on Webnovel