B.R. Black

Thriller and Horror writer

Author: B.R. Black

  • Dark & Stormy

    Dark & Stormy

    Bob Jensen pulls into the Airport Motel parking lot and curses his luck. He slams the truck into park and fishes in his pocket for his phone. The thunderstorm threatened by KIRO radio news has begun to unleash and the thumping of the wipers keeps time with his pulse. He is sweating.

    He looks at the screen. “Two oh six,” he mutters. “Two, oh, six. That’s Seattle, right?” He punches the phone icon, sees the missed call, and waits. Bob Jensen has only had his phone for a few months, but he knows enough to wait for the voicemail notification.

    “Ding.”

    He takes a deep breath and presses play. Bob Jensen is listening to the most important voicemail of his entire adult life.

    Fifty yards away, wrapped in a rust-colored bedspread smelling of stale cigarette smoke, Gail Kenwood peeks out of the motel room window. She’s biting her lip, she always bites her lip when she’s nervous. She squints through the rivulets of rain on the window and tries to see the truck. The headlights glare in the water, but her gut tells her it’s him.

    “It’s him,” she says. She pulls the bedspread tighter around her small cold body. “I can feel it.”

    “You’re being paranoid,” comes a voice from the bed. “There’s no way he’d know we’re here. It’s not like he knows me or my car.” Andrew, his name is Andrew, pats the bed and beckons Gail back. 

    “Let’s pick up where I left off,” he says.

    Gail frowns looking at the truck in the parking lot. She shifts her weight from foot to foot, looking like a small child with a full bladder. The move makes Andrew laugh and his laughter only heightens her anxiety.

    “You don’t know him. He could have followed me,” Gail said, narrowing the opening in the curtains until only her eye could be seen by a passerby. There are no passers-by. 

    “He could have been following me all this time. He’s very smart.” She turns to Andrew, real fear in her face, and says, “Maybe he put one of those GPA thingies in my car. He can track me from anywhere.” She whimpers—an unattractive sound—and turns back to the window. She takes a few steps back but continues to watch.

    GPA? “You mean GPS. Look, Gail,” he rises from his side of the bed naked, and walks over to her. “You really are being silly.” He places his hands on her bare shoulders and kisses the back of her neck. “Come back to bed.”

    Her shaking makes him straighten up. “Let me have a look,” he says, pushing Gail aside gently. He sees the truck on the far side of the parking lot, lights blaring, wipers moving, and tries to make out the license plate. Mother Nature shines a long flash of lightning on the scene, but it is of no narrative help. The headlights throw too much glare onto the motel.

    “Why’s he just sitting there,” Andrew asks. Thunder roars in a dramatic answer.

    Bob Jensen is taking deep breaths. He has listened to the voicemail at least three times and vows to figure out how to save those suckers forever. A mid-size game company in Seattle wants to hire him as a marketing manager for their new premium game line. They are very excited to have him on board. Shelly in Human Resources said so in the message. He is free to call back anytime before six p.m. to make arrangements for his start date.

    Bob Jensen looks at his watch and curses, though for Bob Jensen “dang it” is a curse, so, while all levels of cursing are relative to the curser and the listener, the intensity of the curse is irrelevant. What is relevant is that Bob Jensen has forgotten about the three-hour time difference between Philadelphia and Seattle. He is slowly realizing his mistake…

    “Oh, yeah. Dummy!”

    …now.

    Bob Jensen returns Shelly in Human Resources’ call.

    “I don’t get it,” Andrew said. “Why is he just sitting there? If it is him, I mean.”

    Gail thumps his shoulders with both hands. “It is him. It IS!” She stumbles back to the bed and flops down, her feet tangled into the bed sheet. She puts her hands on her face and starts to sob.

    Technically, she is only pretending to sob, but Andrew does not know this. Andrew has only known Gail for about two months and hasn’t gotten a full read on her yet. Andrew keeps looking out the window, shaking his head. He is not sure what to believe.

    “Just sitting there…”

    “He is going to kill me,” Gail says this not as a plea, but as a statement. She is reading a line in a play. She is calculating how much fear and seriousness she is to put into the delivery of this line. She is shaking her shoulders in a pathetic, but minimal way because too much shoulder shaking is a sure sign of fake tears. She bends lower at the waist, deepening her sob. She is pleased that the real tears have finally come.

    Andrew is distracted. Andrew does not have a cell phone or participates in the Internet at all. Andrew thinks that being a Luddite is the epitome of intellectual elitism. Andrew is an ass. 

    Andrew also has no context to think that this truck is just some guy pulled over to talk on his phone. 

    Andrew is also currently being manipulated by Gail, the amateur actress. He turns back and watches her.

    Gail is good. She lets the bedspread fall to her waist and holds her arms slightly akimbo so that as she is wracked with sobs, her breasts heave mightily. Andrew believes himself to be an intellectual, but he is a man first and a man stands no chance against a rack wracked.

    “Please, Andrew,” Gail says into her palms. “I’m so scared.”

    Andrew leaves the window and approaches the bed, she stops him from sitting next to her, raising her hands to him, and grabbing his hands in hers. “Wait. I have to think. I have to stay clear.”

    Her face is wet, her breasts are firm and gorgeous and her strong arms are outstretched before her. Her face, her wet, pleading face is level with his waist, with his…

    There is no hope for Andrew here, so you may as well stop rooting for him now.

    Bob Jensen laughs into his phone. “No, thank you, Shelly. It’s excellent news.” He looks into the rearview mirror and smiles at himself. 

    “Yes, yes. I’m really looking forward to getting started.” He winks at his reflection. He is thinking of asking Shelly out for dinner once he’s finally settled in Seattle and if it’s not against his new company’s policy. “I can’t wait. I’ll see you in a week. Thanks again.” 

    Bob Jensen is beaming brighter than his damn high beams that have been shining into the window of number 14 for the last ten minutes.

    Back in number 13, Andrew is trying to deal with a hysterical girlfriend, a homicidal husband, and a massive erection all at the same time. Andrew is failing on all fronts.

    “You said it yourself,” Gail said, grabbing his waist. “Why is he just sitting there? It’s hummus, like a bull waiting to charge.”

    Andrew looks up from Gail’s breasts to work out what she said. 

    Hummus? he thinks. The confusion is doing a wonder on controlling his libido.

    “Ominous?” he says, one eyebrow raised. Andrew raises his eyebrows when he’s trying to win a debate with condescending arguments, suggest a sexual encounter with a knowing woman, or suss out what some fool is trying to say. You decide for yourself which situation this is now.

    “Whatever,” Gail says. “I’ve told you about the guns and stuff. I’ve told you how it is with him.”

    “Well, sure,” Andrew says, tilting his head toward the window and pointing his arching eyebrow at the truck. “But, well, that was all hyperbole, wasn’t it? Something to tell me to make this little fling more… dangerous?” Andrew stops believing the words coming out of his mouth the moment he says them. I’ve found myself in a lame romantic thriller,’ he muses. He just thinks this to himself, but Andrew is the kind of person who likes to think he muses.

    “This isn’t a damn novel,” Gail says, shaking him. “My homicidal and extremely jealous husband is in the parking lot, right this minute, probably waiting to make sure it’s me before he comes in and kills you. What are you going to do about it?”

    Andrew stops musing immediately. “Whoa, whoa, whoa, lady.”

    And it is this utterance of the word “lady” that breaks all bonds, romantic and lustful, between Andrew and Gail.

    Bob Jensen smokes a cigarette and dreams about his upcoming move. The thunderstorm is starting to get its feet under it and pours rain down on his truck. He is making a mental checklist of all the packing he needs to do in the next few days. He frowns when he remembers that he has to give his beloved Pekingese, Shushu, to his sister for a while. But he knows she’ll settle in better after he’s sure he’s found a good place with a yard. She loves running around in the yard.

    Shushu, not Bob Jensen’s sister. Though, I could be wrong about the sister.

    He turns on the radio and lip-syncs to Jon Bon Jovi’s “Blaze of Glory.” Lightning illuminates the parking lot before him, but his head is thrown back in mimicked stage presence and he can’t see anyone approach the truck.

    “You have to do it,” Gail says, gripping Andrew’s shoulders. The bedspread lays forgotten on the floor and she stands before him, in all her glory, turning up the intensity, willing her bloodlust to flow from her fingers and penetrate his skin.

    Andrew is having none of it.

    “Look, look,” he says, holding up his hands and looking for his pants. “It’s been fun, but I didn’t sign up for this shit. This is too much drama even for me.”

    Gail laughs and Andrew has a split second of insight that would have taken him months to realize in a normal affair. Gail is bat shit.

    “You think I’m crazy,” she says, “but I love you. Don’t you want us to be together?”

    Andrew finds his pants and slides them on like a fireman. “Oh, no, no no.” He grabs his shirt and shoes, leaving his underwear and socks as a sacrifice to the Crazy Bitch Gods. “No, no, no, no no.” He turns his back toward the door, not wishing to turn his back on Gail, and checks his pants for his wallet. Andrew is ready to go.

    “I’m leaving. You deal with your crazy husband. You two deserve each other.” He reaches for the doorknob and turns. A door slams outside. Andrew turns and stares at the doorknob in his hand. He stops breathing. He listens. Footsteps.

    “Aaiiiiiiiyyyyyyyyeeeeeeee,” yells Gail and launches onto his back. She digs her nails into his cheeks and tries to pull him away from the door. Andrew reaches up with his empty hand, not wishing to open the door to the horror on the outside, and deals with the horror on the inside half-assed. He reaches behind himself, grabs a clump of Gail’s hair, and pulls.

    She screams and releases his face, but then lurches forward sinking her teeth into his shoulder. Andrew bites his tongue and rams his head forward into the door. He is trying to shake the beast off, but he is failing. She wraps her legs around his waist and pulls him backward with her weight.

    Andrew lets himself fall back onto the floor and lands full force on top of her. She grunts when the air is knocked out of her and releases her grip. Andrew scrambles back up and doesn’t take the dramatic turn to look back and offer a witty quip to her prone form. He just wants to escape from crazy town and launches himself through the open door.

    Andrew realizes his mistake in three, two…

    Bob Jensen is really belting out his song without uttering a sound. He’s writhing back and forth in his seat while the storm gives him thunderous applause. He hammers on his steering wheel, drumming to the music and the tremors shift his phone from the dashboard to the floor. Seeing the messenger of his success glowing in the heaps of detritus on the floor, he leans over to retrieve the device. His eyes glide over the man approaching the truck, arms raised in alarm. Bob Jensen grabs his phone and drops it again, stunned by a large crack sending his truck swaying.

    “That was close,” Bob Jensen says, sitting back up and pushing up his glasses. He focuses on the bullet hole in the windshield and frowns.

    “What the…”

    Andrew skids to a halt when he sees the man raise his gun. He stands stupidly in the blare of the truck’s headlights as the first shot is fired. His first thought is How many boyfriends does Gail have? as the man shoots again.

    The second shot breaks Andrew out of his shock and he shuffles away from the scene, keeping his eyes on the shooter. It’s tough going for him, as the condition of the motel parking lot is not conducive to barefoot walking. He steps on a piece of glass and yelps.

    The gunman turns toward the sound, weapon raised.

    Andrew drops his shoes and shirt and raises his hands. “Look man, nothing to do with me.”

    The gunman tilts his head and stares at Andrew. “Just trying to get some sleep man,” he says. 

    “All good, all good,” Andrew says, trying to sound reasonable and failing. He is suddenly aware of how thoroughly soaked he is. He shivers. 

    “I’m going to leave and let you get some sleep,” he smiles. Andrew has always thought his smile disarming. 

    “Been on the road for days, just need some sleep,” the gunman says. He nods toward the truck. “Then those damn lights, right in my window. Not right.”

    “I get you, man,” Andrew says and believes he’s found some ground to stand on. “I was about to take care of this jerk myself, but you’re faster. It’s all good now.” He inches forward, toward the truck, farther from the gunman. 

    “How about I switch off those lights, man.” Andrew smiles.

    The gunman shoots out the headlights on the truck.

    Andrew jumps and cowers. His disarming smile appears on his face as the gunman turns back to him.

    “You got it, man, you got it,” Andrew says, the rain streaming down his face and body, his khaki pants plastered to his legs. He keeps smiling and closes his eyes.

    The gunman turns away from Andrew and walks back to his room, head drooping, rain spilling off the rim of his baseball cap.

    Andrew dares not to move and can you blame him? He promises himself to spring away, broken glass or no broken glass, the moment the gunman is out of sight. His legs tense in anticipation.

    The gunman reaches his door and turns the knob.

    The door to number 13 opens and Gail shouts “What the hell is all the noise?”

    She is looking at Andrew as the bullet pierces her skull, shattering the annoyed look on her face into thousands of pieces. As her body falls, Andrew sees the gun barrel smoking and thinks They really do smoke, before he pees into his sodden pants. He drops to his knees.

    “Please, man, pl..”

    The gunman fires a single shot and goes back into his room.

    Bob Jensen’s phone rings. It is Shelly from Human Resources. She has just one more question.

  • motHer

    motHer

    Calling it “mother” is a bit…

                          But that’s what it is, really.
    That’s what it will do.

    But giving it a name…
    I don’t understand why you need to.

    Look, it will be naming others, so it should have a name.
    It should know what it means to be called.
    Do I have to explain interpellation again?

    Please don’t. 
    Please don’t.
    Your theories make my brain hurt.

    Your brain can’t feel pain. I told you.

    Don’t! Don’t! Don’t!
    Just name it whatever, but not “mother.”
    Never “mother.”

     Alright. How about…

    Beth woke from a long sleep and felt the remnants of her dream slip away like a stray tear. She sensed the coldness in the bed next to her and remembered that David said he wouldn’t be home that night. He spent so much time in the office lately that she was starting to think his apartment in town was a good idea. He didn’t do much around the house anyway, so it was best to have him concentrating on work and out from underfoot. She stretched and quickly made the bed, half the job it normally would be. She caught herself in the mirror on her way to the bathroom. She loved the silvery shimmer of her nightgown, the way the flared skirt spun around her hips. She frowned knowing David hadn’t seen it yet. “Ah well,” she sighed. “I’ll keep wearing it until he does.” Beth heard nothing in the hallway and relaxed that all seven children were still sleeping. “Me time, just for a bit,” she said, turning on a hot shower.

    Wait.

    What?

    What is this?

    You said it can’t be” mother.”

    No, no. Is this her life?

    This is a life.

    It’s no life.
    Is she one of those Steppenwolf wives?

    What the hell are Steppenwolf wives?

    You know, that old movie.
    Is her whole life just in that house?

    Well, a lot of it.

    No, no, no. There has to be something more.

    Why?

    But, who is Beth as a person?
    What does she do? What does she want?

    Beth is “mother.”

    So, it’s just “mother.” Nothing else?

    Nothing else.

    Not Beth?

    Beth is “mother”.

    Why did you bother naming her?

    Exactly! 
    You made me name her! 
    Now you say she has wants and desires.

    Beth does.

    But not “mother.”

    When the five oldest finally piled onto the school bus, Beth turned back to the house and shooed the two toddlers inside. She hoisted them up, one on each hip, and descended into the downstairs, part playroom, part second kitchen. While the breakfast dishes were going upstairs, she could keep her eye on John and Johanna, the twins, and food prep for the next few days. She wrote down a few menu items in her Positivity Planner and checked on the three cameras set up around the work area. “You two be good while mommy films,” she cooed and checked her hair and makeup in the pocket mirror she kept in her apron. She turned on each camera one by one, checked her positioning in the main camera’s viewfinder and said “Hi. Welcome back to Beth’s Basement. I’ve got the little ones playing in the background and today we’re going to do this week’s food prep.” She paused, smiling, giving herself a few seconds for editing and then grabbed a bowl of onions. Beth peeled off the brown layers and wondered if David was getting enough to eat. “I think today I’ll focus on adult lunches. You know my hubby has been working hard lately and I think I need to bulk up his lunches with stamina-enhancing nutrition.” She brought the sharpened chef knife down on the bulb, cleaving it in two.

    Where did this come from? What is happening?

    I gave her something. I gave Beth something.
    Beth is a content creator.

    A what?

    She makes videos about her cooking and such.

    That’s what you gave her? A video channel? 

    Yes! It generates a good amount of revenue.

    You didn’t really give her anything.
    It’s all still just about the house.

    Why does she need to leave the house?

    What?

    Why does she need anything outside of her home and family?

    Beth should have something of her own.

    She does. She has her channel.


    That’s not Beth’s channel.
    That’s “mother”’s channel.

    Yes.

    She stretched her arms high trying to relieve some of the soreness out of her shoulders and back. She’d been editing for over an hour and was still angry over having to wrestle William and Summer into their respective baths. Apparently, school had been pretty dull, and they saved all their energy for home. Perhaps at the next parent teacher meeting she would suggest extended physical activities for the children. She glanced at her Positivity Planner and wondered if the next meeting had been scheduled. It was early November, and they should have had one by now. When was it last year? She flipped through the glittery pages. She passed beach-themed July, an overflowing basket of eggs for April, the Champaign laced January and all the way back to the previous August, all chalkboards and pencils. Beth must not have marked down the last meeting. Perhaps David went on his own. That must have been it, she thought, flipping back to today and its stenciled “Editing Day” at the top of the page. Yes. She distinctly remembered him offering to go to the meeting on his way home from work. She grabbed a sticky note with a teddy bear holding a sign that said: Remember.

  • B.R. Black’s Swamp Stories

    I’ve posted the first two of a collection of short stories that I want to post for free. I’m thinking of doing a newsletter or special section here on the site in the future, but with new, themed works that I’ll be doing once Wound is finished.

    You can a new story every Saturday at itch.io | Tapas | Wattpad | Fictionate.me or right here.

  • The Fall

    The Fall

    The strike was clean and smooth, but only later was she grateful. At first, she believed her last vision would be of her own horrific face reflected back at her. She roared at the cruelty of the act. Her vision continued, even as the sight tumbled before her. Her anger turned toward horror at the realization that after the severing, she persisted.

    She’d felt the serpents stiffen when the boy struck, and she knew that her monstrous reign was at an end. No more would she feel the soft licks at her cheeks, hear the susurration of their calls, her constant companions these long years now silent, unmoving. More like her victims than herself.

    The burnt blue sky spun around and as her head found its center of gravity. Her vision righted itself, giving her a clear view of her shoulders and breasts, still shivering at the shock. Black ichor flowed from her open neck, and she marveled at the shimmering indigo that seemed to glow from within. Whether being born from gods or ravaged by them, she mourned that this luminous wonder had been hidden deep within her. The world had only been allowed her ugliness, and as her vision passed over her belly, she hoped her vengeance would not be forgotten.

    The boy screamed in the background, long and drawn out as if spreading itself across millennia. Her head continued to fall in between drops of time, a slow wave as if Poseidon himself had halted the moon. As she passed before her swollen belly, she saw the flutter of the god’s gifts inside her, a hoof pushing against the underside of her skin. Something else poked and thrusted from behind her navel. She felt her head roll back, shifting her vision to the blackened azure of Zeus’ sky. 

    She only caught a glimpse of the golden blade that released her children from their womb turned tomb. The soft touch of feathers, not unlike her serpents’ kiss, brushed her cheek, before flying off toward the stars. Her head rolled still and the boy’s drawn out scream finally came to an end. 

    At the last, she saw him clearly, without the cataract of death obscuring her sight. He was beautiful, with dark hair against fair skin, the aura of triumph glowing from within. Sweat beaded on his arms as he held the mirror shield high. His sword arm hung low, too heavy for someone so young. Her mortal soul fell instantly in love just as her serpents curled toward her scalp, impotent and cold.

    The moment collapsed as she hit the marble floor. Light and sound returned to their normal pitch and all the world sprang to life as she consumed her final vision. Torches burst aflame and the walls seemed to dance in the reflected light. Had the world always been so lovely, she wondered near the end? Had she?

    The boy approached slowly, and she marveled at a face untouched by her curse. Medusa shuddered in the memories of her body as he reached into the thatch of serpents and lifted her head. He looked into her eyes as lovers do, eager and unafraid.

    The Fall - horror short by B.R. Black
  • quiet

    quiet

    You ever in a place where it’s so quiet you hear something you ought not to.

    That’s me now, sitting outside my store, just trying to have a cigarette before we open. It’s mid-January and there’s a nice thick blanket of snow on the ground. I had to shovel my way to the door and I’m pretty mad about that. We pay Donny to do it and Donny’s probably still asleep. He never remembers that we open at 6. He wishes we opened at 10. When he shows up, I’m going to put all the snow back and make him shovel it again.

    The only reason I mention the snow is because it makes the world quiet. Cold, for sure, but there’s a fuzziness to the air, like it’s all made of cotton. Cotton in your head, cotton in your ears, but it don’t make all things quiet. It makes some things louder. Things you ought not to hear.

    I take a last drag of my cigarette out and try to not hear it. I think I have time to put away the milk order before I open up, but then again, I can always open late. Even our customers sometimes run on Donny time.

    I hear it again and it’s not a sound that my brain wants to wrap itself around. I could describe it, but then I would have to say I hear it and letting anyone know that I am near this sound is the last thing I want to do. Hearing that means taking responsibility and I would rather just pinch out the last of my cigarette and head inside. 

    It feels close, but sound carries in the winter. Should I look around the corner? No way. 

    I’m not even going to lift my head up in a sign that I’m awake. Going to walk into this store like a zombie and bar the door shut behind me. Don’t care if Donny decides to show. Donny can stay outside with the snow and the shovel and that sound.

    I trip in my rush to get inside and knock over the shovel, which I don’t care about now, I don’t care about anything but shutting the door on that sound. But the shovel’s handle wedged itself in between the door and the jamb and of course I can’t get the door shut because getting the door shut would mean getting back to my life before that sound and there’s no hope of that now. But if I can just push the bottom of the shovel away with my boot then maybe. 

    Yes. Got it. Yes. Thank god! Slam.

    The only thing I can hear now is my heartbeat and the hum of the cooler. Those are things I need to hear. Those are the only things I need to hear. 

    The front of the store’s got tall plate glass windows. I peek out from the back room but can’t see anything out front. There’s enough light on in the store to make seeing into the early morning impossible. I wish this door between the workroom and the store had a lock. Wish it had a knob. Wish it had a damn gun.

    I think I can head into the cooler, then further into the freezer and then into the far back room that none of us really knew was there until last week when Wendy found it. There was nothing in it then and that made it creepier. 

    The cooler door is pretty big, but unlockable, for obvious reasons. Here we keep the milk and the soda and various refrigerated foods we sell. There’s a walkway between the stock for sale and the stock for stocking. The door makes a deep thump when it closes behind me. I look back and then I look out between a couple of half-gallons of 2%. I can see through the store into the parking lot. The sun is starting to rise, and I figure I have about 15 minutes before I have to open. When Donny shows up late, he usually beats on the front door until I open it, but he’s not there now. I wouldn’t mind seeing his stupid face right now. Dammit Donny.

    The hum is louder here. The unit vents are outside and cool the fresh air. It’s not terrible in here, particularly since it’s cold outside. I like to hang out here in the summer. But this morning, I have to keep going. 

    The freezer is smaller in length than the cooler and has fewer items. We keep the ice cream here and the frozen entrees lonely people buy on occasion. That happens less now that the pizza place opened up. I peek out of here too, but can only see the bread aisle and half of the cashier counter. I can’t hear any knocking. 

    I can’t hear anything right now. 

    The humming has stopped. The humming should never stop. The humming means frozen things stay frozen. I remember hearing the freezer door close behind me. Didn’t I?

    Even my heartbeat is muffled now. 

    Suddenly the humming starts again and I wonder if there’s a cycle it goes through and I just haven’t been here when it happens. Either way, I think about that noise and I think I’m gonna head one step farther in. I’m gonna sit in that back room and calm the heck down. Wendy hides her vodka in there now and that’s just what I need. 

    You would think a room that hidden would be musty, but it’s the ventilation, understand. The ventilation is good here. The door sticks a little, but I can get it open. I’m pretty strong.

    The ventilation, that’s why I heard the noise, the one I wanted to ignore, the one I came here to hide from. What made it, well, it’s in here and I’m in here with it. And it’s a nightmare hunched over something slumped on two stacked milk crates. 

    It’s not looking for Wendy’s vodka. It’s feeding and feeding real good.

    Dammit Donny, the one day you’re early.

    quiet a horror short by B.R. Black